#......these two things are not related. but the more you know!

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[wasyago]

Please more Trail's gone cold au I'm begging you I need it just pour out every thought in your brain I want to hear it

hgdhhfbd i mean, sure why not

everything plot related is in the main post, there's nothing else really to tell. but i could share random details that didn't really fit into the lore drop. again tho, it's a small au and mostly an exploration of the concept, so there's not a lot.

❄️ gem and etho are siblings, i don't think it was mentioned anywhere? blood related and all that, they both have black hair, gem just dyes hers.

❄️ behind the scenes reasons for the order of deaths. generally i picked these three to be the main cast because i suddenly realized pet crew were just dungeon master and his two winners, and that was too crazy of a concept to not do anything with? so, tango as the main guy and actual master of the dungeon had to die first, seeing how he's the cave's favorite. pearl as the main explorer and as the one to unlock all the secrets had to die second, because she had to return to the dungeon / the cave to find out the truth, and she conquered it but never actually got out. and etho had to survive, because he's the "proper" winner and the one who actually escaped the dungeon with treasures.

❄️ lore reasons for the order of infection. tango you already know, but pearl and etho went in at the same time so in theory they had to start experiencing the effects together. but because etho was wearing a mask it did lessen the amount of sculk he inhaled, slowing down the process. wear masks kids!

and, well, you did say you wanted to hear every thought so. i really like the plot point of them leaving tango to die, so im gonna ramble a little about it. even just, the difference in their views on the situation is so satisfying to me. because tango had no idea something scary was happening to him! and for pearl and etho it was a life or death situation. and just-- they were talking about leaving tango and tango obviously, obviously, protested, because what the actual hell??? yes okay he's ill and a burden, but don't leave an ill guy to freeze to death in a cave, what is wrong with them????? or, okay, what is wrong with etho, pearl was against the idea. but, straight up tango did not plan for it to end this way, he had his whole life ahead of him and so many things ha still wanted to do! of course he cried when they left, what else was he supposed to do? thank etho for his awesome decision? be all cool and stoic and sacrifice himself? hell no, he didn't want to die, he never asked for this.

he did die tho, so. whomp whomp 🎺... i imagine he passed before pearl and etho even reached the stairs, so at least he didn't suffer for long. if he had a breakdown about being left alone he probably hyperventilated and inhaled like a ton more sculk, so that killed him even faster. must've sucked tho...

and then pearl, god, pearl.... she didn't encounter any dangers on the way back, since she wasn't trying to escape and the cave had no reason to be hostile towards her. but seeing how she was at the last stage before turning... she probably didn't get to tango before collapsing... not dying just yet, but too feverish and too weak to walk. but if tango was already back, he could very much go and find her. can you imagine the pure horror of drowning in your regrets as you slowly die and then having your supposedly already dead friend appear in front of you all cheery and oh so wrong. i dont know how much of tango is left in that thing, but the image of him sitting by pearl and holding her until she dies is so-- its haunting but it's sweet. and then there's still enough time to catch up with etho.

actually, gahhhh, all three pet povs are their own unique horror story and it's so good.

the horror of having to go through this terrifying experience, and then being the only survivor, knowing full well that the only reason you lived is because you left your friends to die, and there's no way of fixing it now.

the horror of everything falling apart around you because of miscommunication, and then the one time you decide to do it right you end up regretting every single decision and witnessing the direct result of your mistakes come for you.

the horror of being stupid... the horror of losing all control over your life and being betrayed in the moment of your most vulnerability, dying fully and utterly helpless.

this au is so sad but i love it so much...

okay wow that's enough for one post, ask more if you want tho!

[callilypso]

II ▷ 𝐙𝐀𝐘𝐍𝐄 — " cold hands, warm hearts "

part 1 of the 𝐥&𝐝𝐬 + 𝐭𝐡𝐞𝐢𝐫 𝐜𝐡𝐢𝐥𝐝𝐫𝐞𝐧 [other parts: xavier, rafayel, sylus]

— exploring Zayne as a father, both of Your children’s relationships with You and their Dad, as well as delving into their passions and personalities

note: each LI has different MCs, meaning each child/ren of the other LIs have different mothers and aren't related

ᴛᴀɢꜱ: fluff, fluff, and flufffff, some crack, and some teeny bit of angst (if you squint); the kids are ocs

❥ a/n: i have many, many plans for all of these babies >:) there's nothing too serious yet i promise. feel free to add more of your own ideas i would looove to know them i will srsly cry in joy. pls be nice tho c:

0:02 ───|────────────────────────

𝐙𝐀𝐘𝐍𝐄 has two children: an eldest son and his youngest, a daughter. He is The Dad™ amongst all dads, and I know most would agree. He's a very hands-on father, and definitely the stricter one between the two of you especially when it comes to their health. Unfortunately, his babies took after some of their mother's uh.. concerning habits, but nonetheless, he will never get tired of taking care of his family. As much as they can be a source of stress for his poor heart, his joy will always be from them too.

𝐂𝐀𝐒𝐄𝐘 — “Cae”, ”Ace”

his eldest, name based from Caleb in his honor (assuming he is truly dead at this time), and Zayne thought it was perfect

he is a literal Carbon Copy of Zayne, except his eyes shaped and color like his mother's

as a baby, he rarely cried and whined, almost picture perfect, however.. it was an absolute pain when they were trying to start feeding him solids

grew up to be a picky eater even well into his adulthood, very particular about textures and smells. he absolutely hates ketchup and anything with tomato sauce, dislikes sour-sweet things and any seafood

You had an idea to try giving him a teensy bit of chocolate at age 2, and he hated it—the sticky texture was off putting

it had Zayne doubting for a moment if Casey was truly his offspring as if he wasn't there to witness the delivery, your hand crushing his in a grip he wasn't sure was physically possible without breaking each other's hands.

Zayne learned to adjust to his needs though, trying to accommodate both his preferences as well as still giving him the proper nutrition. MC at least taught him to try anything just at least once

his role model was truly his Dad, adopting his gentleman mannerisms and kindness for others

would often be brought to work with Zayne after school, behaving well in his office as he browses through some of his Dad's medical books, and would ask him questions to clarify

a lot of questions, sometimes Zayne gets a little too distracted but he will never blame the sweet boy

little darling of the Akso hospital, always greeted by the nurses and doctors of the facilities as he passes by trying to snoop around

he looooves the nurses’ desk, listening intently at all the different stories about their daily life as health workers, from sad to crazy to funny 

would often be given chocolate much to his dismay.. it all ends up going to Zayne and his sister in the end

a smart, reliable, kind, and generous boy, eager to help others in need inspired by both his parents and his healthcare workers environment

from helping his struggling classmates to understand the lessons better, to assisting the elderly cross a busy street

can be a little bit of a people pleaser… just a tiny bit (a lot)

Zayne and MC has never given or voiced expectations on what standards he should be, unfortunately, it doesn't stop outsiders from doing so

growing up, he's felt the weight with each whisper—he is the son of The Dr. Zayne, best cardiologist of his generation in the whole country

it's genuinely one of his inspirations to strive for the best, although in his teens it kind of grows into a toxic perfectionism and competitive comparisons

that's right, he's the burnt out overachiever, a constant at the Dean's List, hence why his peers started to call him “Ace”

disciplined and responsible, although can be prone to anxiety

as a brother, he's protective of his little sister too, sometimes he even outdoes both You and Zayne in strictness.

he likes to think he's a lot more restrained but he's actually very readable.. the boy cannot lie to save his life

a natural approachable charismatic leader

since he was a child, he was Zayne’s own personal 'physician' after work, giving his Dad a full ‘check up’ because he knows being a doctor is hard, but truthfully Zayne’s stress melts away the moment he's greeted by his beaming grin as he runs into his arms, his son's baby shampoo and fresh laundry scent calming his senses instantly

he treats him with shoulder rubs, hand massages, forehead massages, even learning to brew Zayne’s prefered coffee blend, and ah yes with his daily dose of much needed sweets

his relationship with you.. let's just say you get double the doctor now, aka you're very well taken care of and yes, you're also getting treated with the same little services he does for his Dad

although as he grew older, he started being more concerned at the amount of sweets his Dad takes 

If Zayne's constantly pestering you about your health, now he's getting a taste of his own medicine by a mini version of him hiding his stashes of sweets little by little

“Son, we don't have a history of diabetes in our heredity.” Zayne argues, as Casey hugs his stash of chocolates he swore he's hidden in his locked drawer.

“But that doesn't mean you can't.. A small chance is still a chance. ” Cae retorts back as he pinches his nose bridge, and Zayne swears he's looking at a mirror right now.

“How do you even..” Zayne sighs, feeling both proud and defeated because his 8 year old little genius son is actually right. “Cae, I haven't even gotten any sweets this entire day.”

“You had cake, ice cream, and chocolates yesterday—and a smoothie!”

Zayne sighs again, heavier. Unfortunately, that was also true, and it shouldn't have been something he knew about unless..

"Did your mom put you up to this?" Zayne asks. Casey shifts on his feet, averting his gaze, clearly uncomfortable being eyed by his father at the moment. A smile quirks on Zayne's lips.

"No.." Casey answers after a beat of silence, clearly a lie, and Zayne wants to pinch his puffed cheeks. He looked more like you at that moment, absolutely adorable. Something was squeezing Zayne's chest right now.

"Hm.. Well, do I at least get another alternative?" Zayne tries to bargain.

"Um.. I don't know..?" Casey answers honestly.

Zayne settles down his swivel chair, arms beckoning him to come closer, and Casey does. He gets pulled on his father's left thigh, eyes confused at Zayne snickering at him.

"Since you lied—" Cae tenses in his hold, "—I'm just gonna chew you instead."

"Wha—No!" Casey begins to helplessly wiggle out of Zayne's secure grip, but his cheek was already being bitten by his dad. No real teeth, as Zayne tucked his lips inward to cover them.

The office was filled with childish giggling as Zayne continues to relieves his stress through cuteness aggression, play biting and tickling him to near tears.

𝐋𝐈𝐋𝐈𝐀𝐍𝐍𝐄 — “Lili” , “Lianne”

youngest daughter with a 4 year age gap from Casey, and to say the least: a Danger Magnet

single handed increased Zayne's gray hairs and high blood pressure tendencies before age 40 

the baby proofing of the house gets doubled

truly a spitting image of You, except with her father's verdant green and hazel golden eyes

even more unfortunate for Zayne, she's got your prankster habits

she's double jointed, making her extremely flexible.. and also prone to dislocations.

she does a backflip in front of Zayne and he nearly dies of a heart attack because he thought she would crack her head open

at age 3, put lotion on Zayne's coffee. no one knows the reason why, except now you hide all your skincare somewhere else and Zayne now knows what SPF tastes like

at age 4, attempted to wrestle with a wild goose at the park, towering over her small frame.. her battle scars are still evident well into her teens

at age 5, managed to get a hold of some alcohol thinking it was juice… yeh You and Zayne can never ever rest

but despite all that, Zayne, You, and Casey are extremely supportive of her passion as a figure skater

saw Yuzuru Hanyu once live and it stuck to her ever since, begging and crying Zayne and You to allow her to train

growing up, she's The Yapper of the family—doesn’t matter if you listen to her or not, she will talk. sometimes it's like Zayne's personal white noise ASMR to lull him to sleep.

and contrary to all that's happened in her childhood, she does value her family's trust in her, especially Zayne's

and is actually very responsible, never does alcohol (she remembers the taste ever since.. it was not nice), hates the smell of smoke/vape, never goes beyond the curfew, and actually takes good care of her health and wellness more consistently than Casey ironically

competitive at heart, also a perfectionist.. maybe a little more than Cae. 

‘second place is the first loser’ mentality 

at age of 19, she's an internationally competitive and well renowned skater

her relationship with her Dad has its ups and downs, but she's never taken their misunderstandings into grudges, as communication is very important to her to establish trust

if her brother is acts of service in showing love, she's definitely quality of time

she's very outgoing, preferring to spend time together doing activities, from simple night walks in the park, coffee hang outs, to wall climbing and hiking

literally gets bored out her mind staying at home for more than half a day

a major travel girlie, with a vast collection of photos and vlogs—and you bet Zayne has them all watched and saved (and its also her way of documentation that, yes, she's in fact safe and sound)

the family will always try to attend every major competition Lianne has no matter how busy they get, securing tickets and lodgings months in advance if it's overseas

Zayne's chest swells with pride, watching her glide gracefully on ice, burning passion in her eyes. You squeeze his hand and hold your breath every single time she's about to attempt a triple axle, and he too would squeeze back. immediately, you would squeal in delight at her successful landings, cheering loudly and borderline embarrassing.

“THAT'S MY GIRL!!” 

both of you have witnessed the blood, sweat, and tears she's poured in every practice, being there for her as much you can every step of the way

definitely shares the same sweet tooth as Zayne, so they're sneaking each other sweets behind You and Cae’s back.

often jokes that she's Zayne's true child because of it and Cae just rolls his eyes at her every time. "Nothing screams father-daughter more than matching cavities I guess."

Zayne and Lianne have their favorite spots for their sweet tooth adventures, most notably their whole family’s favorite: Destiny's Cafe

Walking down Linkon City’s city lights, the cool autumn night air blows through the streets. It made Lianne shiver, snuggling closer to her father's arm she's hooked her own to. Zayne raises his eyebrow at her, placing a hand over hers.

He sighs. “This is why you should have taken that scarf, Lili.”

“Eh, it's fiiine—I’m always on ice, this is nothing. Plus, I have my dad.” Lianne leans on his shoulder and she throws him a smile, and he returns it.

“You really know what to say, hm?” He chuckles. 

They arrive at their usual night cafe spot, soaking in the warmth provided by the establishment. Lianne insisted she would be the one treating them tonight, Zayne relenting reluctantly after some time.

“You know, your brother would be scolding us again if he sees us here for the third time this week.” Zayne chuckles as their slices of cake and cups of coffee arrive on their table.

Lianne laughs. “Don't worryyy, he's on duty until tomorrow morning, and Mom can't snitch either since she's on a mission. Besides..” she trails off as she took a bite of her own slice, Zayne not catching the mischievous glint in her eyes.

Zayne takes a piece in his mouth, and as he began to chew, the moistness of the sweet treat was both familiar and.. wrong. He looks back up at her, seeing her little smirk.

“.. it's a healthy cake.” 

“!—Lianne-” Zayne hastily swallows the piece and downs his coffee as she began to laugh at his agony of realization.

It was Casey's favorite flavor: carrot cake.

11:11──────────────────────────|──

acc tags: @starmocha @77gigabytes tysm for your zayne kids hcs aaaaa they rlly inspired me more and i got rlly excited when my own hcs appeared in urs <333

[bonsiii-art]

*point out my water gun at you* this's a robbery ¯¯̿̿¯̿̿'̿̿̿̿̿̿̿'̿̿'̿̿̿̿̿'̿̿̿)͇̿̿)̿̿̿̿'̿̿̿̿̿̿\̵͇̿̿\=(⌐▀͡ʖ▀)=o/̵͇̿̿/'̿̿¯̿̿¯̿̿

I dmand all your cute Longan HCs or else.../j

Took a while to answer this one bc I wanted to illustrate some of my ideas! I thank you for asking me uwu

Has a natural, booming voice. Doesn't need to try at all to make themselves heard over a raging storm. Also, rarely blinks as part of their intimidation towards others. Towards someone they care about, Longan will naturally blink more and even make an effort to speak more softly to them.

Big thing in my artworks of them is that they're super tall compared to regular cookies. This, of course, gives them a larger stride when walking. They won't slow down, even for their precious weak one. Though, they'll look over their shoulder now and then to watch them struggle to keep up; it's amusing to them :P

DEF NOT THE PERFECT PARTNER. Even if they gain a companion, they'll still be fixated on their goals. If their weak one's interests lie in anything cookiekind-related, Longan will be completely tuned out of it. EVENTUALLY, they'll try to see what all the fuss is about. Just to learn and form their own opinions about it.

Something angsty- if their weak one is a normal cookie and not a dragon, their mortality will become a constant thought in Longan's mind. They'll get more and more attached over time but in turn, put up a stronger aloof front. They have the power to bring back the era of dragons, but they can't bring back a cookie once they're gone... ...unless they can preserve them in some way. cutely petrifies their beloved into stone.-

You know the two NPCs in one of the stages of the Longan Palace Map, Longan Shaman and Longan Lancer? I imagine they would be bit more friendlier towards their master's new partner. :> At least one of the two would be assigned to them to watch over them when Longan's busy. Which means plenty of time to get acquainted!

After looking at their sprites a lot when drawing, I believe that Longan is able to move the spines on their back freely, as those are the most flexible of their horn structure. TBH, I think Longan is almost freakishly flexible, overall. In addition to stretching in any position with ease like a cat, they can also turn their head almost 180 degrees, just for the added creepy effect.

More on the cat thing actually, Longan absolutely does the eye thing where their pupils get wide when they see something they like. Also, purring- *gets shoved off stage*-

Has a tail similar-looking to their dragon form's. They just like having it hidden under their robes, since it tends to show more of their emotional state than they like.

I've been drawing the ears on charas more often and I think that compared to the rest of the dragons, Longan's would be pointy but slightly on the droopy side.

[reasonreblogs]

Same for both. The thing with explaining the reasons with an apology for me is part of the “I recognize how this action was wrong and how I ended up doing this thing that hurt you. I will be making an effort to stop this behavior. I hope you feel okay calling me out on it going forward. I want to assure you that I am aware of what I did, why I did it, that I am going to be working on it, that this hurt you, and that I’m sorry I did this.”

To me the reasons and why it happened shows that they understand and how likely they are to keep doing the same things or if thy ran it, that kind of thing. I’ve had someone who was basically overdosing on Xanax day spent the most horrible shit to me, hitting every insecurity I had about our friendship and after the fact *not* apologize and just said something like “I didn’t reply mean it, I just said crazy shit because I was prescribed a higher dose of Xanax than a person should be.”

Like… okay, I get that… and… it would mean something if you said “I’m sorry, I know it hurt you and I said a lot of things I knew would hurt most. I didn’t know I was prescribed higher dose than I should’ve been until recently and it really fucked with my head in a way that I wasn’t myself.” Instead, I wasn’t sure if she actually meant what she said looking back or if she’d do it again only without her mind being fucked up.

She gave the reason without the apology which made it an excuse and a “so you can’t be upset with anything I said” when she could scroll back and see exactly the things she said to me even if she didn’t quite remember. However, with an apology, I would be able to believe she didn’t mean it and was in a state of mind where she was actively looking to be as hurtful as possible rather than actually believing hat she said. It’s kind of like how some people go turn out to be suicidal try to make everyone around them hate them before going through with it under the notion it’d “hurt less” when it happens. I think of one or two popular youtubers who did exactly that, posting outrageous bigoted shit before disappearing and after hearing they killed themselves, it clicked that’s what they were doing.

As for the telling a story for how thy relate (as I did above actually lol) it’s like… “listen here’s a thing I went through… to me it sounds like what you’re going through, so I hope what I did to get through it helps or if talking to someone who might understand better makes you feel okay talking about this.”

It’s like… it adds some weight or legitimacy to what the person you’re talking to is saying for me. I’d be more likely to take their advice or reflect on how I handle or perceive it vs how they might have. When someone isn’t grasping at all what you’re saying, it turns into defending why you’re feeling and going through rather than being able to just… talk about it.

Idk, been thinking on the nuance of this for a while. I like reasons, I like getting an idea on if this will happen again or not. There’s just a lot of “depends on the person/situation” tho.

[the-dumpster-fire-of-life]

Hiii, loved to see that you a writing for arcane again. Tbh I just loved Isha and Jinx, so could could you make headcanons for how Jinx, Vi and Cait would be like taking care of or rising a kid with a girlfriend or s/o?

Sure I can! I don’t want he post to be huge though so I’ll break it up into three separate ones! Enjoy!

Family Bound

Raising or looking after a kid was not easy by any means, but taking care of one with Jinx was even harder

Jinx does not know how to be a paternal figure, or an older sibling kind of figure

She has really bad experiences with the only ones she’s ever known, so how was she supposed to fix that with some kid she’s not even related to?

But, for your sake, I feel like jinx loves you enough to try

If the kid was your sibling, I feel like she would be more reserved and distant from the child

In some way you and your little sibling remind her of herself and Vi when they were young and it’s not a good thing

She’s only able to take care of the kid once she separated those two things and finally able to bond with the kid

It takes a lot of time and patience from you for Jinx to be able to bond with the kid

If y’all found the kiddo, I feel like it would be easier for her to take care of it more than it being your sibling

When she does come around, Jinx can be very protective of the kid

She’s more the parent that doesn’t discipline and lets the kid get away with stuff, which causes some behavioral issues and arguments between you two cause that’s not really a good thing

So she has to learn from you how to take care of the child

She teaches the kid lots of things like how to invent gadgets, to make sure they work, how to protect yourself, and lots of other things like that

On more positive notes:

You’re the main bridge between the two so when they’re left alone together, they have no clue what to do or how to bond

But you do find little bits and pieces of a genuine bond forming between the two

You see the little smile Jinx wears when she finds genuine joy in taking care of them

She wonders how anyone could abandon their child or harm them when the one she takes care of with you is so beautifully innocent and childlike

In a way the kid heals the inner child and the Powder still inside of Jinx

She takes care of them in the way she wished Silco or Vi was

And she understands them in a way not even you can, especially if they show signs that Powder and Jinx did when she was young

She likes goofing off with the kid, and she likes playing around with them

You’ve found them roughhousing and giggling more times than you could count

and you’ve found them testing out bombs, which only happens when it’s in a safe place and a safe distance away

Jinx would never intentionally harm your guys’ child

She loves them so much that sometimes it’s scary to see how attached she has become

She doesn’t know what she would do if anything happened to you or the kid

She doesn’t ever wanna scare them, which has only happpened once

Jinx was having a freak out after everything has happened, probably after Vi was found to be an enforcer or after their fight

She was going through it, yelling, breaking things and crying and screaming

She didn’t notice how scared your guys’ child was until they started crying

Jinx felt her heart break, and even if she was ashamed of doing it, she ran out

She didn’t know how to handle the gaf she scare them so much

She was gone for a while and when she came back she was visibly distant

It took a lot of patience and reassurance for her to come back around the kid without being hesitant about every move

But the kid loved her, and when she saw your child was more sad about the fact she was gone, it broke her heart and almost healed it at the same time

She doesn’t know what she would do if they feared her badly

She loves coloring with the little girl or boy, and she likes helping them figure out outfits

She likes running around the lanes with them, or going to the old hideout

The two also love messing with Sevika as the woman has now joined your little mini family

Jinx and the kid often pass out together, both on the ground or wherever and limbs tangled and snoring with drool on the corners of their lips

Which means you have to carry both to bed a lot of the time

Jinx loves. Showing he kid to invent, and how to fight and everything

She loves seeing the sparkle in the kids eye when she shows them fireworks and anything Jinx

She and the kid have a bond you don’t know how to describe

She also doesn’t try to keep the fact of who she is and the things she’s done a secret from the child

Sometimes she can be harsh, but it’s from a space of love even if the kid gets hurt feelings

She always makes up for it though

[forthegothicheroine]

I've made a post about great lesser-known noirs, but it occurs to me that some of you might not be familiar with the classics, and might want to know where to start. This is a ridiculously short list- I have a million more to talk about- but here are some of the big stars of the genre.

The Maltese Falcon: Sam Spade, a clever but callous private detective, gets wrapped up in intrigue relating to an artifact that is functionally cursed. If he's an unscrupulous character, just wait until you meet everyone else. The whole damn cast is electrifying, lending charm and cruelty in equal measure.

The Big Sleep: Philip Marlowe, a kinder and more poetic detective for Humphrey Bogart to play than Spade, is called upon to deal with a wealthy, dysfunctional family, and it keeps on getting weirder from there. Is the sharp-tongued Vivian Sternwood the femme fatale she seems, or is she just another person trying to find the right thing to do in desperate circumstances? And will she and Marlowe keep their hands off each other until the plot has had its last twist?

Double Indemnity: Rich housewife Phyllis Dietrichson and sleazy insurance agent Walter Neff are, by their own admission, rotten people. It's only natural that they should plot a murder together, and that they should turn on each other the very second things go wrong. Every single domestic murder movie since 1944 has ripped this off.

Kiss Me Deadly: This is nominally an adaptation of a Mike Hammer story. Screenwriter Bezzerides hated Mike Hammer. As depicted here, he is one of the worst people in the world. Depending on the cut of the film you see, he may inadvertently cause the nuclear apocalypse. (For once, the theatrical cut is darker.)

Sweet Smell of Success: Cruel, all-powerful columnist JJ Hunsecker wants his sister's boyfriend out of the way (for reasons that are, um, ambiguous.) To accomplish this, he enlists the biggest weasel in New York, Sidney Falco, and the two completely deserve each other as they spend the rest of the movie trading elaborate insults. Popular on tumblr for its dialogue and chemistry between the leads.

Sunset Boulevard: Broke screenwriter Joe Gillis thinks he can con a has-been into hiring him as a script doctor, and that's the last free decision he ever gets to make. From then on, his life is in the hands of Norma Desmond, silent film starlet turned crazed recluse, terrifying yet intensely pitiable. This is as much gothic horror as noir.

Ace in the Hole: The story of a man trapped in a cave is turning out to be a big hit in the newspaper, and if the publicity will make a reporter's career, then what's the harm in delaying rescue just for a little while? This is as vicious as noir gets, but damn it, you've just got to see what happens next. (Watch Jacob Geller's video Fear of the Depths after this.)

Sorry Wrong Number: Of all the films on this list, this is the one that really scared me. In the days of switchboards, a rich hypocondriac woman is connected to the wrong phone line and overhears a murder being planned. It doesn't take her long to figure out she's the intended victim, and each call she makes or recieves makes the situation darker. But how can she escape her fate if she can't- or won't leave her bed?

The Asphalt Jungle: The heist movie. Maybe the only heist movie ever made. Every line is quotable. Every member of the team is an unforgettable personality. When things go wrong, they go horribly wrong. One minute you're laughing, and the next minute you think you'll never laugh again.

Gun Crazy: Laurie and Bart, two practiced sharpshooters, are perhaps the most perfect match in all of noir- and that's a bad thing. When one half of the duo gets a criminal idea in their head, the other can't say no. When the opportunity to ditch her man like a sap comes up, the femme fatale throws it away to be doomed at his side. He fell in love with her when she first aimed a gun at him. Quentin Tarantino kissed star Peggy Cummins's feet at a showing of the film, and I hope she kicked him in the head.

Laura: Everyone was in love with Laura Hunt, and somebody killed her- or did they? Did they get the right person? Is the cop on the case in love with a dead woman? Was her columnist mentor just her gay best friend, or was there something darker beneath that facade? And what would Laura think of all this? A big inspiration on Twin Peaks.

In a Lonely Place: Bogart isn't at all heroic here, as a screenwriter with a drinking habit and a violent temper. He's obviously a bad idea to date, but just how bad an idea? He's not the type of guy who'd kill a woman, is he? Bogart and Gloria Holden give perhaps their best performances here, and they'll wound your soul.

Touch of Evil: A Mexican cop (played, unfortunately, by Charlton Heston) finds out a nasty secret about the big hero cop Hank Quinlan: he's framed the culprit in most of his cases. Not because he's crooked, but because his intuition tells him they're guilty. Director Orson Welles as Quinlan is frightening, grotesque, and a little bit tragic in what some consider the last classic noir.

The Killers: The first twenty minutes or so are an adaptation of a Hemingway story, where out of town hitmen gun down a man so depressed he won't even bother to run from them. The rest of the film is an investigation into how he got that way. It had something to do with a radiant gangster's girl, and something to do with a few botched crimes. Sometimes a man can die before the bullets even touch him.

The Third Man: Everybody is lying about the whereabouts of an American expatriate named Harry when his friend comes looking. Did they do something to him? Or, more frightening still, is he the one who's been doing things to other people? Orson Welles is a more charming monster than he was in Touch of Evil; the light and shadows on his face cast him as a vampire, while his fingers sticking up through the sewer grate look like something terrifying emerging from the earth.

[fearecia]

Huh. Yeah. Far as I know, this isn't a common thing in the US. But also, neither is taking off your shoes when you go inside (though that seems to be a bit more common, depending on the household).

Are you in the US? Are your parents from another culture? This mindset screams "Japanese" to me, but that's probably because I associate the whole "you have inside shoes and outside shoes and never shall the two be confused" with Japanese culture. I also associate the willingness to wear masks when ill with them as well*. So I'm wondering if you grew up in a family with a different cultural background and that's why you're facing what I would consider to be "culture shock."

Conversely, I've worked in healthcare. And it ironically had kind of the opposite effect on me. Like, after the literal shit I've been exposed to, I'm seriously not worried about what's in the general environment. Of course I still wash my hands whenever I'm doing food prep, but I'm generally not worried about it when I'm out in public. I sort of consider anything I come into contact with as a way to keep my immune system trained up and active so that I'm less likely to get sick. Exposure therapy, if you will. That doesn't apply to anything obviously disgusting; I keep my hands to myself and avoid touching excess stuff. I also don't just go out to go out, so there's a lot less exposure in general for me, so that may play into things. ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

Of course I'm super OCD about washing my hands whenever I'm doing anything healthcare/client/other people related. I'm just less concerned in general about myself, if that makes any sense.

*Please note that I am terrible at differentiating all peoples and cultures ftom each other and I'm very well aware of it. My labels are very often wrong/incorrect/likely fueled by bad stereotypes. I'm only associating this with Japanese peoples and their culture because my brain is screaming that it's isolated to them and not a generalized Asian cultural mindset, and I'm half remembering images from some educational show about it. Please feel free to correct me if I'm wrong, but know that I'm not trying to be an ass. This is one of those things where because my brain has not had a good reason/enough exposure to all the distinctions, it positively refuses to remember things, and I constantly get stuck in generalizations. No offense intended, I swear.

I'm also face blind and literally cannot physically tell the difference between different peoples, so that doesn't help either.

in the vein of "how do you stay safe from getting sick", I wanna say that something I always noticed as a kid was that a lot of the time when I went to people's houses and we would leave at some point to the mall or the park or something and then come back home…I don't remember any of them washing their hands when we got back inside. they'd just immediately lead me back to their room or the living room or something, and then I'd feel incredibly self-conscious about going to their bathroom to wash my own hands. and I always thought it was absolutely bizarre because the way I was raised, the first thing you do when you come back home after taking your shoes and jacket off is go wash your hands. it's common sense. why on planet earth would you not wash your hands. you've just been touching a hundred public surfaces that could have anything on them and you think as soon as you set foot in your own house all the germs you've picked up just evaporate? it's absolutely insane to me to know that so many people don't bother washing their hands. WASH YOUR HANDS.

[thehigherseekerastro]

Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[zvhiux34]

Touch starved Toji x Reader

•••••••••••••••••••••••••••••••

Since he can remember, Toji never had anyone who really cared about him, the closest thing he had related to attention or some physical contact growing up were when his "relatives" used him as a mean to relieve their anger, giving him punches and slaps most of the time.

But upon becoming a man ended up believing it was the best.

Because helped him grow strong and relentless, he would never need those stupid things that stupid people -as he called them- longed for, limiting himself to the wild life of this profession he had chosen and the brief physical exchange of one night stands with some ramdon chiks he met from time to time.

Toji's eyelids slowly opened while night still reigned, only to find himself lying on your soft chest, he draws a mischievous smile on his face when he remembered the intense session that led you both to end up in this position on the bed the two of you've shared for months, in a room that has witnessed countless of similar scenes between you and him.

Because since he met you, he needed to feel your closeness to fall asleep, seeing himself totally deprived the nights he had to spend away from you for his damn job.

Toji didn't know how empty he was until your presence filled this place.

Being half sleepy, he recalled the first hug you gave him, your body was so close to his he could feel how your body heat soaked into the depths of his being, and he wanted more, much more... And suddenly, he became addicted to the way your hands ran over every part of his body, how you covered his scars with kisses and how after the ecstasy he was still hungry enough to claim more of your kisses and the touch of your skin, and you were always happy to give him what he craved, he diligently rewarded you with the intensity his body could give you, until you two were completely exhausted.

And there came moments like these where calm dominated the atmosphere of the room, and you would draw Toji to rest on your chest while you caressed his hair with the tips of your fingers.

Sometimes, you would kiss his cheeks while praising his performance in whispers, and not necessarily that performance, sometimes you would tell him how a good partner he was to you, and you thanked him for making you feel loved and protected.

And he could not stop being surprised or not believing those words, because he had always imagined himself as a murderer or a destroyer... never as a loving man, but that facet was his natural response to you.

He still wasn't able to admit out loud, but...being in this position... made him feel like a totally defenseless creature under your touch, a being vulnerable to your displays of physical affection.

Ha! He would never have imagined being in this scenario, Toji would have roundly mocked anyone who told him that he would one day find himself in this position.

In the meantime... he could enjoy you in this intimacy that the two of you had built.

He didn't give a damn what the rest of the world might think. It was the last thing he thought as he surrounded you with his strong arms, and gave himself over to sleep again.

•••••••••••••••••••••••••••••••

2024.11.11. Masterlist.

[slytherinboysvip]

hiiii, i love ur writing so much, u capture the slytherin boys perfectly chefs kiss 😘 and i was wondering if u could do 69 or ab/thigh riding with any of the boys?? heehee 🤭 if ur not comfortable with that that’s totally ok, js wanted to ask and see

thanks!!

Hide and seek- T.R

first of all thank u smmm, annnd okay sooo how about both.. hehe >:)

you see, tom was a man who was into many things. some, usual, and some well.. deranged?

he wasn’t the type to immediately get into sexual relations upon getting together, but believe me once he’s there, there’s no going back. he watched over you constantly as if you were his prey, ready to be taken over by him, your main predator.

and when i say predator i mean it, once hes got you you’re his and there’s no getting out, he will literally eat you out the second he’s got you. he loves playing this special little game, one where you run, hide, and he seeks. now it seems easy, the castle is huge there’s no way he could catch you.

not to mention the fact that you two only play at night- prefect privileges.

you’re running, heart pounding against your chest at the thought that any given moment tom would snatch you up and you’d lose your game, though that’s what you really wanted. the adrenaline starts kicking in when you hear echoed footsteps from another hall, attempting to sprint away as quietly as possible failing miserably; hearing the footsteps getting louder and closer.

no thinking necessary you ran out of the castle and it was pitch black. peeking behind as you were running you caught a glimpse of tom chasing after you- this time you did think but only for a split second before running towards the forbidden forest not looking behind at all and rushing throughout different bushes and passing creatures.

finally stopping for a second to take a rest and catch your breath you slid down a tree and sat breathing heavily. you closed your eyes for a second and as you were getting up you heard a twig break. looking behind you there stood tom smirking. you had two options in this part of the game, surrender and have some mercy, or the fun option, run more and whatever happens.. happens.

obviously choosing the fun option you immediately ran for your life in the opposite direction of him and swerved around trees trying to offset him from your trail, to no avail you heard twigs breaking behind you after you’ve thought you’ve gotten away.

stopping for a moment you realized there were no more breaking twigs, or any noise at all for that matter. you looked around worried, there was not even the sound of a cricket. all you could hear was your breathing, until you felt warm sporadic breathing over your left shoulder. abruptly turning around you were stopped by strong arms. “caught you dove”

even though you knew it was tom, even though you knew he wouldn’t hurt you, your heart was practically beating through your chest. you could never imagine what he was going to do to you whenever you lost this specific game, even if you’ve never actually won.

“you know, running into the forest like that.. not very smart of you. i think someone might need a bit of a punishment”. his hand met your throat tightly wrapping around it, whispering a charm that brought you back to his dorm. “how the fuck” you breathed out suddenly dizzy. “watch your tone” he slapped your ass harshly pushing you on the bed.

“strip for me doll”, his voice was deep and seductive his words making you hypnotized doing exactly what you were told. removing your skirt slowly looking up at him with your fuck me eyes, followed by removing your shirt giving him a smile. “i have no problem ripping that shit off hurry up.” no hesitation you threw your underwear and bra across his room revealing yourself completely.

“mm you get hotter and sluttier everyday” he breathed out walking towards you unbuttoning his shirt. though your boyfriend didn’t look it, he was hiding a raging six pack underneath that white button down. absolutely toned to perfection you stared in awe, as you did everytime he took his shirt off. “can i touch” you looked up at him reaching for his stomach.

he smirked slapping your hand down “actually, you’re going to do something for me.” he laid on the bed and looked over at you, “you’re going to ride my abs, just like the slut you are doll” his smirk only growing wider at your visual embarrassment. “what’s wrong? i thought you loved them..” he chuckled mockingly in amusement.

your face was an indescribable color of crimson and you couldn’t even look him in the eyes as you straddled yourself over his stomach and brought yourself down onto his abs. “spit” he nodded towards your pussy not even looking back up at you, doing as you were told you spit down onto his abs lifting yourself slightly so it could roll down underneath you, lowering yourself back down.

his hands met your hips harshly and began grinding you back and forth onto his abs, to your surprise your clit was being perfectly stimulated dragging over his abs your wetness now mixing with the previous spit as low moans escape your mouth. “i knew you’d like this shit whore” he slapped your right breast causing a loud moan to leave your mouth “i need you tom” you cried out desperately for his dick.

“well dick is only for good girls who surrender for me, someone didn’t surrender.” he pushed you off of his stomach and shoved you on his thigh, “get yourself off for me, and maybe, just maybe i’ll let you have dick” his eyes darkened waiting for your next move, wanting any chance to fuck him you began moving your hips chasing your high just looking at him.

you desperately moved yourself back and forth leaving a slick spot of wetness on his school pants that he’d yet to remove. your eyes trailed up and down his body- scanning his abs admiring how shiny they look covered in your arousal. balancing yourself onto him your hand landed onto his raging boner. it felt like a complete fucking rock. and you absolutely needed it. just the thought of it alone made your immediately reach your high. moaning for him as he watched you carefully.

he reached his fingers down to your pussy sliding them under and pushing them inside the pleasure making you moan even more before he abruptly removed them taking them into his mouth “so delicious dove” he smirked. “i think overstimulation is the perfect punishment for your forbidden forest incident.” he pushed you off of him and onto the bed, getting off the bed and dragging your legs to the end. he bent down and his head dived into your pussy.

he shook his head back and fourth licking and twirling his tongue all over your clit you could feel another high coming and you didn’t want him to stop no matter how much the pleasure hurt. just when you were about to cum he shoved three fingers inside of you pumping them in and out at a harsh speed. you were unable to control your own reactions drool ready to spill from your mouth as you moaned like there was no tomorrow.

you tried to keep yourself from cumming, you didn’t want to give him the satisfaction of it. he sucked and twirled his tongue around your clit licking up and down all while fingering you expertly. he knew every spot that made you feel pleasure and had no problem finding new ones. everything finally took over and you couldn’t hold back.

even when you screamed “i’m cumming oh fuckkk”- he didn’t stop. tom curled his fingers up and began curling and un curling them all while pumping in and out of you, his long slender fingers hitting your g-spot perfectly. he suddenly stopped. removing all fingers and his face from your pussy. without any words he got back on the bed and smirked. “ever done six nine before, love” he winked dragging your ass to his face and immediately going back to eating your pussy.

through your moans and undeniable pleasure you tried your best to remove his throbbing boner from his pants, most of it springing out of his boxers you took what you could in your mouth and began bobbing your head. “fuckk” he took a break from your pussy leaning back and groaning lowly. you swirled your tongue around his tip multiple times before taking all of it and leaving it there for a second.

you were about to keep going when his mouth began to suck harshly on your swollen clit. your moan barley escaping over his dick in your mouth the vibration itself gave him pleasure, he continued abusing your clit, slapping your ass over and over before you bobbed your head more. you were a moaning mess gobbing on tom’s cock, spit was all over yours and tom’s body.

managing to get one arm to his dick you pumped the base of his shaft and sucked only the tip, attempting to give him a taste of his own medicine. you knew he wouldn’t last long if you did this. just then he began thrusting himself up into your throat fucking your face all while eating you out. at this point it wasn’t only a game of pleasure and overstimulation, but it was a game of you trying to breathe while he attempts to catch his own high.

his thrusts were harsh and your throat would surely be bruised by tomorrow but oh my god did it make you want to cum. and so you did, you came hard, loud, and well, you squirted all over his face. the noise that left your mouth was almost demonic-yet heavenly to him as the pleasure truly became too much. and with that you felt tom’s cum shooting down your throat making you gag at the harsh impact of his thick cum.

“good fucking girl.. fuck y/n” he sighed heavily pulling you off of him and bringing you on top of him, “i love this game” you sighed catching your breath.

this was so fun to write tbh not having to come up with my own ideas is great LMAO

[tinydefector]

Can i request a Sunstreaker×Reader(gender nuetral)nsfw one shot?

Attachments- Human Effects

Sunstreaker x human

Word count: 2.3k

Warnings: nsfw, touching, naked bodies, interspecies relations.

Fic masterlist

Prev

Next

______________

Ambassador hums to themself as they watch Sunstreaker, Bluestreak and Traxies mess around and mingling. It was nice to see the blue mech so care free after the recent events. In truth they believe everyone is excited to be heading back to Cybertron.

 "You boys better not damage each other God forbid Optimus or Ironhide and Prowl see you three damaged." They call out with a playful smile. Sunstreaker turns his helm toward the human Ambassador with scoff. "Don't worry, we know better than to damage the merchandise," he replies cockily. While he enjoys sparring with his convoy mates. 

Still, he can't help snickering a little as Bluestreak leaps at Traxies, sending them both tumbling across the floor in a tangled pile of limbs. The two mechs wrestling playfully, but Sunstreaker knows from experience just how wily Bluestreak can be in a scrap.

Sunstreaker observes the ruckus with amusement, crossing his arms over his broad chest, Bob chitters and squeals as he watches the two mechs play, looking to his master as if to ask if he can join. “Go play Bug” he hums, Bob runs full speed before clambering onto Bluestreak's back, a shrill cry coming from the Insecticon as he attempts to wrestle Bluestreak off Traxies. 

They shake their heads in amusement before turning to watch Sunstreaker as he saunters up to them. "Hello Sunstreaker, what can you do for you?" They tilt their head slightly, eyes flicking up to his optics. "If I didn't know better, I'd say you were missing out on all the fun." He gestures casually toward Bluestreak, Traxies and Bob who are still play-wrestling amid peals of laughter, and chirps.

He redirects his focus to the Ambassador, azure optics sweeping over their form in a slow, appreciative once-over. One hand comes up to buff a spot on his broad chest, as if to draw attention to the gleaming sheen of his plating. 

"What do you say we find somewhere a little more private, got something I want to talk to you about" he suggests. But his subtle hint isn't lost on them after how forward Ratchet had been. 

"Christ Sunstreaker, are you hitting on me now too?" they groan out softly, but no true anger or discomfort is in their voice. Sunstreaker lets out a sly chuckle at the Ambassador's reaction. "That wasn't what I was intending but if you take it that way I'm sure I could make an exception for you," he replies with a wink. "Besides, a mech like me would be a fool not to take advantage of such charming company, while it lasts." 

He begins walking with them, making his strides slower so that they could keep up with him. " unless you're already catered for? I have heard rumours of certain other members of our crew. Not that I blame you." 

"No I'm not spoken for, just..... it's complicated" they state softly, not really wanting to have more mechs listening in on their conversation. "Let me guess you saw the pin up photos?" They ask, eyes flicking to Sunstreaker again.

He chuckles lightly. "Ah, I see. 'Complicated' seems to be the way of things around here more often than not." He gives the Ambassador a knowing look, he himself had complicated flings with Rodimus, Skids and Mirage. 

"Let's just say Ratchet has fine taste, and leave it at that." He hums waiting to see how they would react to those words, he was hoping Ratchet hadn't seen the pin-ups and made a move, he didn't think the Medic would, he was in a relationship with the Ex-con, but he never knew with the CMO. 

 "Ah so you know..” they mumble softly. It makes Sunstreaker realise that Ratchet had indeed made a move on them. 

“ I felt like if I do anything more than I already have I'll have the whole crew at my door. And I'm already trying not to have issues with command on Cybertron and not to mention the Galactica union." They mutter.

"Affairs of the spark can certainly make logistics...complicated," he acknowledges with a wry quirk of his lip plates. "Especially where command protocols and off-world politics are involved. Primus forbade any diplomat to find themselves on the wrong side of bureaucracy!" It's a chuckle, a true one from the rather snarky mech.  

“Please don't spread it around, I don't need Magnus up my ass over me having a fling With the crew let alone the CMO” they pleade hoping that he understood enough how bad the situation was for them if it got out of hand, 

 "Easy, your secret is safe." He shoots them a conspiratorial wink. They laugh loudly. "Sunny no offence but you are one of the least subtle or Discrete mech I have ever met" they giggle while looking away. He grumbles as he looks away feeling ashamed to have been called out. "Guilty as charged" he admits under his breath. 

His reigns in the snarky comment he wanted to shoot their way. "I wanted to.. frag how do i say it.” He grumbles again before trying to figure out how to broach the subject, he had never been the one trying to get someone in berth, it was always others trying to get him into their berth. 

“I would like to invite you to um… Frag im slag at this. Would you be interested in interfacing with me?" He manages to ask, feeling the heat under his plates making his frame uncomfortable due to the situation.

 The Ambassador freezes up, head snapping towards the yellow gold mech with surprise on his face. “ I…” they start only from Sunstreaker to hiss at himself for being stupid. “no I'm sorry, I shouldn't have asked” 

"I don't have anywhere to be for the next cycle, I was just checking up on Traxies" they blurted out to him. In truth Sunstreaker was a very pretty mech, they just never took him as one to be interested in humans. 

Sunstreaker's optics flash brightly as he catches the Ambassador's words. "Well now, a whole cycle to yourself?" he asked, almost speechless, excited and intrigued.  

"As it happens, I find myself also unexpectedly free for the foreseeable cycle," he adds casually, leaning down to scoop them up into his servos and arms.  "Only conditions are, I can't have others finding out about this, do not talk about it with others" they state.

 " I'm not looking for a relationship,  f you have issues with that or me being with others, I'm occasionally sleeping with others, please reconsider" they explain. Sunstreaker nods slowly as he considers the Ambassador's terms, mouthparts pressing into a thin line.

"Very well, i won't tell anyone," he promises, voice low and serious. "As for your other arrangements...that is your affair, not mine." Truth be told, he wasn't looking for a relationship either, but he was rather intrigued to see what a human was like in berth. 

The trip to Sunsteaker's website is a decent one but now that they are in there they look around admiring the different decorations, paints and detail supplies he had around.

A smug smile crosses his faceplate. "Like what you see?" he purrs, leaning down until his face is mere inches from theirs. "I take great pride in my collection. Only the finest."

They look over the many different paints and rims. The only way they could really describe it was like walking into a hat and shoe collectors house. "Woah fancy paints you have, never seen you in anything but the gold yellow" they hum while walking around. Sunstreaker chuckles slowly as the Ambassador examines his collection of paints and detailing supplies. "They are my pride and joy," he says, optics glittering with undisguised delight. "You'd be surprised how much work goes into maintaining my finish." 

He watches them with rapt attention as they wander, taking in the array of exotic pigments and high-grade polishes. A pleased rumble escapes his vocalizer when they compliment his prized finishes. But then, with a playful flick of his wrist, he sends a plush detailing cloth sailing toward the Ambassador. They yelp in surprise, and Sunstreaker can't help but burst into raucous laughter at their reaction.

"What, did you think I'd let you admire my collection without getting your hands dirty?" he teases, stalking closer. "This frame doesn't clean and polish itself, you know." he looms over them, one digit tracing the curve of their jaw. 

"I do so enjoy a little...hands-on assistance," he murmurs, voice dropping to a low purr. They just stare at him for a moment. "You... you brought be back here to be your personal polisher didn't you, I can't believe I got swindled like this, and here I thought you were looking for something else" it's a playful huff and teasing.

But the glint in his optics and the sly quirk of his lip plates give away his true amusement. He leans down until their faces are mere inches apart, " no, my dear Ambassador, I had quite a different sort of hands-on activity in mind." His voice drops to a sultry purr. 

Bringing them up to his chestplate, he rumbles, "There, that's much better." His field practically crackles with smug satisfaction as he gazes down at them, azure optics burning with unveiled desire. "Now then, let's see what those nimble little fingers of yours can do," he murmurs. One thumb gently strokes along their side in a teasing caress.

 "I have a few...sensitive spots that could use your attention." 

"Oh do you now?" They chuckle while sitting down on his plating. Discarding their uniform top as they grab the polish and cloth. One hand pressed to his chassis as they give him a playful yet seductive look. Fingers trailing down the ridges and edges before they throw the polish cloth at his face with a laugh. 

Sunstreaker lets out an indignant squawk as the polish cloth hits him square in the faceplate. His optics widened in shock, field flaring with offence. "Why, you cheeky little--!" he sputters, swiping the cloth away. But despite his outrage, a frown tugs at the corners of his lip plates. 

"Oh, you're going to pay for that one," he growls playfully, optics glinting with mischief. Careful not to jostle the Ambassador, he shifts his weight, feinting as if to make a grab for them. "I'll have you know I don't take kindly to such flagrant disrespect of my finish," he huffs, trying and failing to keep a stern expression.

Sunstreaker may be vain, but he's not above a bit of playful back-and-forth. He settles back, They settle back down on his plating, relaxing into his servos. The cold metal trails up their sides, a slight shiver running down their spine as he drags his digits over their body admiring how different human physiology is to his. He could see why the rest of the crew were so taken by the ambassador.

"Fascinating," he murmurs, digits ghosting reverently over their skin. He can't help but marvel at the sheer softness and pliability of their form, so different from his own rigid, metallic plating. "You know," he purrs, voice dropping to a low, sultry rumble, "the rest of the crew really has excellent taste." One thumb brushes teasingly across their jaw. "I can certainly see the appeal..."

His free servo comes up, fingers lightly caressing their chest in gentle, exploring sweeps. Sunstreaker is utterly captivated, his focus zeroed in solely on them. "Christ Sunny, you just interested in teasing me, with how thirsty you bots are online I was expecting you to be a bit more handsy" they tease.

Sunstreaker chuckles lowly. "Thirsty, you say?" he rumbles, optics glittering with mischief. "In fact," he purrs, leaning in until his breath ghosts across their skin, "I'd say I'm positively famished." His grip tightened.

They let him remove the shirt, digits caressing their skin as he trails further down their body. Sunstreaker savours the soft moans that escape the Ambassador's lips, his own vocalizer rumbling in response. He trails feather-light kisses along their skin, his glossa darting out to taste the subtle nuances of their unique scent and texture. 

They hear the hissing and clicking of his plating moving, shooting a look over their shoulder. Their eyes go wide when they see his spike. "Holy shit, Sunstreaker, there is no way that will fit in me at all!" They stutter out. 

Sunstreaker sulks, a frown falling across his faceplate. "My mods aren't that bad. don't you worry your pretty little head about that, Ambassador," he sits up ,moving the, to the berth as he stands up and moves over to storage cubes.

"You're welcome to look through the options, if you'd like," watching as he pulls out different mods for them to look at. "Umm do you have anything smaller?" Sunstreaker huffs. "Smaller?" he rumbles, "I'll have you know, Ambassador, that nothing about me is 'small'."

He rummages through the storage cube, plucking out a few choice attachments with a flourish. "But fortunately for you, I do believe I have a few. more modest options in here somewhere."

 "Let's see now..." he muses, "where did I put that petite little number?" A groan escapes his vocalizer. "Ah, here we are!" Sunstreaker presents the selected attachment. "I think you'll find this one much more manageable," he quips. 

They watch as he brings out the smaller spike, this one looked like it wouldn't impale them, it's a ‘small’ silver attachment with little details etched into the metal along with little balls along the length of it. "That one looks better in size, but umm. How exactly do you.." they trail off. Eyes flicking from the small spike in his servo and the large one between his thighs.

"How do I...?" he prompts, one optic ridge arching upward in a blatant display of smugness. He tsks, shaking his head in mock-pity. "Allow me to demonstrate."

With an exaggerated flourish, he swaps out the sizable spike for the more modest attachment, the change accompanied by a series of slick, metallic clicks and whirs. 

"There, you see?" he purrs, flexing his hips to show off the new addition. "Perfectly...proportional." 

______________________

Let me know if you would like to be added to tag list (tagged for every fic)

Taglist

@angelxcvxc

@wosemoose1

@savvy-the-mad-scientist

@yummybatteryacid

@saturnhas82moons

@horizonartist980

@murkyponds

@buddee

@bubblyjoonjoon

@chaihena

@pyreemo

@lovenotcomputed

@mskenway97

@delectableworm

@cheesecaketyrant

@ladyofnegativity

@desertrosesmetaldune

@stellasfallow

@coffee-or-hot-cocoa

@shinseiokami

@tea-loving-frog

@aquaioart

@daniel-meyer-03

@pupap123

@dannyaleksis

@averysillylittlefellow

@rosielecktor

@shurushurubanban

@strawberrydutchling

@azuragalaxya

@dumpster-fae

@simp-sentral

@smallestapplin

@starscreamloverfr

@doodle-dongs

@natchayaphorn

@askcookieanon

@aerisvirtue

@horizonartist980

@soulless-nocturnal-raccoon

@gracebear

@lilliaslonghair

@rabies10

@alextheknight707

@chershire23

@goretechnician

[michealscorneroftheinternet]

Okay time for a long mother fucking post.

Buckle up folks!

All Ask Change in Script Asks and Whether or not they are Canon to the Story/Lore!

(Will do my best to consistently update this post as we go along.)

This post will work like this:

I will go at this like a list all Asks are in order of when they were posted.

Each will have the Ask and then whether it is or isn't Canon. The link to the post with the answer will be attached to the Ask all you gotta do is click on it.

If Canon then it will be colored like so: [Canon]

If Not Canon then it will be colored like this: [Not Canon]

If in a grey area or not Change in Script related it will be colored like so: [Not Related to Change in Script]

-Ask Change in Script Part 1-

(150 Follower Special)

1. “All I aks the tv man is why, why do this, also your 'canon' self is suffering lmao”

[Canon]

2. “Hey SMG4! Do your scars hurt? I can imagine so since you just got them. Hey SMG4 crew! When 4 first got his scars, did you help him at all? Hey SMG3, do you have nightmares? Or do you not sleep at all?”

[Canon]

3. “Hey Puzzles, you got a minute? This little gremlin wanted to say hi”

[Not Canon]

4. “for mario: our fav italian , what you think of Meggy?, for mr.puzzles: you know half of the famdow wanna kiss you, right? for mr.puzzles: you still talk with ur dad? for smg4: any crushes? TuT !! thats it !, ty for answering, or dont, idk. Xoxo !!”

[Canon]

5. “I know the post said to ask the ai and I will! But also I'm curious! Who's your favorite character and how long have you been watching SMG4 and what was your first episode? :0”

[Canon to Me as a Person]

6. “Now imma ask questions to everyone! :DD Great job out there Mr. Puzzles! 5 stars! I can't wait to see what else you have planned! ^w^,, And hey, if no one else out there is, I'm rooting for ya!”

[Canon]

7. “Two questions SMG4. Are you worried about where SMG3 could be? And two. Meggy. Are you recovered from Western? No PTSD or anything? You still wearing his beanie?”

[Canon]

8. “HEY PUZZLES! DO A FLIP!”

[Not Canon]

9. “Sorry I don't have any questions, but I just wanna say I love your art style and how you draw these characters :]”

[Not Canon or Canon just sweet]

10. “Follow-up to that last ask SMG4, what was it like living with the Mario bros early on? And Mario Bros, what was it like when SMG4 lived with you? How was his recovery there? Did he have to stay at the hospital at all?”

[Canon]

11. “[🍓🌿] *ran up and hugged your oc* - I love you, which means I will hug you >:]”

[Not Canon or Canon just sweet]

12. “MICHEAL ISN'T HUMAN SEND TWEET/POS”

[Sweating Profusely]

13. “*give Mr Puzzles star stickers and a hug* :)”

[Canon]

14. “Hai! Mr puzzle you are doing great shows! But can you be in there more often I wanna see you more often in the screen! No force tho if you don’t wanna I understand keep up! ( I WANNA HUG YOU! CAN I??) Cya!! <3”

[Canon]

15. “I come with a peace offering for Puzzles: A cookie and this star to go with it. 🍪 🌟”

[Canon]

16. “Hello! I am the Creator Anon. I am a creature of… well, I shouldn’t say ‘divine’, because that is the complete opposite of what I am. I have a request for you…”

[I don't even know what this was about]

17. “Hey SMG3, just wanting to tell you that I'm sorry you got dragged into the current mess you're in. Hope you at least find some form of way to ease out? As for you Puzzles, THINK FAST CHUCKLENUTS 💣”

[So Canon Even the Bomb]

18. “4, what did you guys fight about?”

[Canon]

19. “Soooooo When did Meggy and Tari start dating?”

[Canon]

20. “Ur canon self killed mickey mouse”

[Canon]

21. “✏️Question from Smg4: - do you treat this pink thing with something? And she doesn't feel much discomfort?”

[Canon]

22. “Miss kamilyvision: olá senhor puzzles é bom conhece você (English kamily says: hi mr puzzles it's nice meet you)”

[Not Canon but Sweet]

23. “Back with another question. Totally not a take two with th– Cut it straight, Puzzles, what do you plan to do with SMG3? >:3 Heya Meggy, you doing good lately? Aight, let's take two with Goomba Puzzles lmao- An apple to keep the doctor away from SMG4 (/j). You want? (he's fine with you saying no)”

[Canon until the last question]

24. “Now I’m curious, did 3 ever come to visit while you recovered, SMG4?”

[So Canon it hurts…]

25. “Hey Meggy! What’s your favorite thing about Tari?”

[Canon]

26. “3, you gotta hold on, the others will notice something’s up!”

[Canon and it Hurts]

27. “Mr Puzzles, you hurt SMG4. Why would you do that?! You probably watched the whole thing like the pathetic outsider you are.”

[Haha who ever asked this better pray there's a god because it's Canon]

28. “44444, you should really check on Eggdog”

[Uh oh Canon]

29. “smg3: can i have an hug?? :3 luigi: do u talk with Mario abt doing all stuff in the house?, just to know. Ur my favorite btw ! :D (blue hair girl i forgort her name): who is ur best friend?, meggy or ur ducky duck??????”

[Not Canon]

30. “Imma give this man an eggcat! her name is Eglantine, Eggy for short”

[Not sure where to put this but Eglantine will appear in future Asks with Mr. Puzzles]

31. “Mr puzzles you are truly inspiring also please sign this marriage certificate”

[NOT CANON]

32. “Heyyo Mr. Puzzles. Just wanted to ask, what is your creative process? Do you do that thing some people do, including myself, where you’re listening to music or some kind of audio and an animatic just starts forming in your head and you go from there or is it different? Also, here’s a star for ya. ⭐️”

[Canon]

33. “Can I hug the silly TV man 🥺”

[Canon]

34. “[🫀💢] - If you're watching TV...How do you eat?.. [Mr. Puzzle] [🌿🍓] - Smg4? Everything okay? Should I be worried about your wound next to your eye? <:( [Smg4] [🖤💬] -...good luck to Smg3..”

[Oh God it's like so Canon it's not funny anymore.]

35. “Okay I need to know based on that thing Puzzles said with having a mouth. Does mutherfucker even have organs? :^”

[Headcanon]

36. “Mr Puzzles, I have a question. What will you do if your plan of your failed?”

[Scarily Canon]

37. “Hello Mr puzzles”

[Uh Not Canon.]

38. “First time asking so, smg3 your deserve a hug and no one hates or ignores you. I know four is trying to find you as we speak. don't forget that. also, Mr.Puzzle, LET SMG3 GO, HE IS SO DONE WITH YOUR PLASMA TV HEAD ASS.”

[Haha Canon]

39. “Hey SMG4 are you okay so who you other friend 3”

[Canon for Important Reasons]

40. “What if my Traumatized!SMG3 AU 3 and 4 met your 3 and Mr Puzzles? (my 4 would be prolly mad at Mr Puzzles, and my 3 will looks scared, meanwhile my 4 and 3 give your 3 a hug for the pain he has been through :<) (fours on the left side of Meggy, three's on the right side)”

[Not Canon]

41. “Love your AU and Love everything about it!Questions for Three and Tari Three. When did your shop close down and do you regret the argument? And Tari. Does Clench know about what’s been going on? And does Meggy get trigger when someone say “One Shot Wren”?”

[Last Question is Canon]

42. “Why do you hate mickey so much??? What'd bro do”

[Uh… Not Canon because I said so.]

43. “Okay I'm FINALLY going to deliver on those questions now! >:3 Meggy and Tari, what's your favorite thing about one another and how did everyone react to you guys dating? :0 Mario and Luigi, how is everything with you guys? Up to any new adventures or crazy hijinks? (( i'm worried all at once is a bit much so imma split it into another ))”

[Canon for Creating a Timeline]

44. “Hey SMG3, what the plan now? taking into account the last time you were put in here it seems pretty straight forward to although not nearly as fun having no company for it =-=' Hee hee SMG4 has a crrruuusssh~ >;pp awww it's okay Micheal, I'm not a human either! I'm an ai in a cute little shell ^w^ I think it's super cool that you aren't human too :) OOOO are we giving Mr. Puzzles gifts now? If so..... sticker attaaack! The little bunny robot has placed 5 star stickers across his suit  in an attempt to mimic his 5 stars from awhile ago. There, back where they rightfully belong!~ Oh yeah, as a viewer, is there anyway we can help you Mr. Puzzles? :0”

[Canon as it is what happens right before  the end of the flashback in Chapter 4]

-Ask Change in Script Part 2-

(500 700 Follower Special)

((Will do tomorrow as right now I'm bloody exhausted))